For some reason no one has made movies of the following sci fi source material (books or graphic novels) and in my humble opinion they really should as the material has hit movie written all over it.

Special effects have moved on so far, the difficulties of any of these could be overcome to make a spectacular film:

Tiger, Tiger by Alfred Bester – one of my favourite sci fi books of all time. A rip roaring rampage of revenge. Gully Foyle is left for dead in the opening salvos of a war between the inner and outer planets of the solar system. Oh and people can self teleport, which is a genius idea well used in this narrative. His path for revenge takes him across the solar system.

On the Flip Side by Nicholas Fisk – a story about people being able to step across to another dimension by the power of thought – and what the world left behind is like.

Neuromancer by Gibson – the novel which launched cyber punk is a delightful read from start to finish. And a cracking thriller which would make an epic cinematic experience.

Look to Windward by Iain M Banks – a simply beautiful novel with so much scope for some beautiful cinematography as the broad canvas of the Culture painted by Banks is played out across this enigmatic book. There is also a fabulous thriller plot which bounds along at a perfect pace for the narrative.

The Ballad of Halo Jones by Alan Moore – if you could skip over most of book one in the intro (like the first harry potter film skips half the book in about the opening 10 mins) and then cover book 2 and 3 in the actual movie. Book 2 of this graphic novel series is an interstellar cruise from the point of view of the waiting staff while book 3 is a sad tale of life in a universe where the only way to make money is join the army and wage war across the stars, a severally depressing view of war (which in the closing chapters borrows significantly from The Forever War by Joe Haldeman). Halo is also a feminist icon and a trailblazer in the representation of women in comic books.

If you can think of any other sci fi novels or graphic novels which should become movies please comment.


Literature literally loves lovers.

Of all ages – from those first flushes of Romeo and Juliet to middle aged lovers such as Antony and Cleopatra – love across human life has always been a focus of plays, poetry and novels.

There is an entire genre of, in my opinion, trashy romantic novels which seem to still sell.

At the more literary end of this genre is Bridgett Jones and her diary (I only made it about 2/3 of the way through the first one before I had to put it down) which appeal to so many.

There is also the slightly darker end of the market, popularised by 50 Shades of Grey.

There is love in many areas of literature, including unrequited love, The Great Gatsby being a tour de force in the lengths some will go to for their unrequited love.

Well, whatever type of literary love you love, today is the annual day of love, so think about those literary lovers and show your real lover just how you feel about them (maybe with the gift of a book about love)…

How do you follow up one of the greatest sci fi debuts in recent years?

Andy Weir’s debut The Martian was originally self published, before going on to be picked up by a major publisher and later turned into a movie starring Matt Damon.

His follow up, Artemis, was released late in 2017.

So how did he approach what could have been a difficult second novel in the shadow of such previous success?

Weir has produced Artemis, which more than stands up as a good novel in its own right and is not overshadowed by its predecessor.

Artemis is set on the moon, in and around the city of that name, the only city on the moon.

The main character, Jazz, is a young woman. But she shares enough personality traits with Mark Watney, the hero of The Martian, to keep things interesting.

Watney was alone on Mars for several hundred pages so he needed a bucket load of personality.

Jazz is not alone, but has enough of Watney’s brand of humour to keep the plot running along while interacting with a host of other characters.

Sample line: “on a scale of one to ‘invade Russia in winter’ how stupid is this plan?.”

The only area I felt The Martian could have been improved was through more descriptive sections around the plot.

Artemis has more descriptive parts than The Martian and this works well.

While The Martian didn’t lend itself to an obvious sequel, Artemis could easily be the first in a series.

Whether this is what Weir has in mind, or not, I have no idea.

Whether he chooses to visit Jazz again or do something else with his next novel, I will certainly be happy to read it.

This is a solid novel, with enough twists and turns to keep you interested. There is enough world building going on for the novel to work in its own logic, without the back story being overbearing.

I had hoped for a knowing reference to The Martian somewhere in the narrative, but didn’t spot one (please use the comments to tell me if there is one I haven’t picked up on).

Expect to see a big Hollywood movie version in the near future.

As usual I have read quite a few books this year.

Here are some highlights of books I read this year:

The Chrysalids by John Wyndham – love this author (The Day of the Triffids and The Midwich Cuckoos are two of my all time favourite sci fi books) and this book, while taking a while to get going, ended up un-put down able. A great exploration of unfounded intolerance, and relevant today as when it was written.

13 Reasons Why by Jay Asher – which I wrote about before, is a tour de force in modern teen fiction. Better than SE Hinton – and my teenage self is properly upset I have written that statement. Highly recommended.

Archangel by Robert Harris – any novel which can make me interested in post WW2 Russian history must be doing something right. This is a real page turner from the opening right up to its fabulous, if ambiguous, conclusion. Some of Harris other works I have found slow, or the world building more attention grabbing than the plot (Fatherland), but this has it all going on.

House of Suns by Alastair Reynolds – in a future where faster than light travel is impossible a house of long living clones travel the galaxy in cycles, spending vast aeons of time in suspended animation, holding reunions every few millennia. The scope of this novel is breathtaking and while it feels like it wanders off from the plot towards the end, maybe the real point of the novel is how even hideous events lose their horror after 17,000 years or so. Up for debate, which only adds to the positive feelings I have towards the book – still deciphering meaning long after reading is always a good sign about a book.

Please feel free to share your views on these books in the comments and also any novels you read this year, either ones published this year or otherwise.

Happy reading in 2018.


My copy of The Hobbit

I have been reading The Hobbit to my seven-year-old son. He is loving it as his bed time story and I am enjoying re-reading the childhood classic I loved. It was one of the early books I selected for myself and I whizzed through it when I was 11.
But during the bedtime re-read I have noticed something – and it is a bug bear I have with other books – the pacing.
So, the first 10 chapters cover about 200 pages, with some chapters pretty heavy going (just before the woods, the slog through those woods, the bit with the elves) but the last 9 chapters cover about 100 pages and quite quickly zip along. Short and to the point, the plot moves much faster than in earlier chapters.
Sometimes I feel like I am reading a completely different book.
Now Tolkien has form for poor pacing in my opinion, when I was reading The Two Towers at 12 years old, I was aware of the weary trek of Frodo and Sam which went on and on and on . I nearly gave up on that book , abandoning the two of them to those marshes. Much later I would laugh heartily at Clerks 2 with the comment on the film adaptations: “even the trees walked in those movies”.
But, back to my point. It feels like two different books, kind of jammed together. The long saga of The Unexpected Journey and the fast pace of the adventures at the Lonely Mountain.
How did this happen? A fast approaching deadline, perhaps? A change of editors halfway through the job.
Don’t get me wrong. I loved the book when I first read it and I am enjoying the re-read with my son. If not for this book, many of the books I have enjoyed would never have happened.
And Tolkien is not alone in having pacing issues. I often find myself frustrated at books, films and tv series for this exact reason. I may blog about another more modern example at some point, but for now, feel free to tell me if you agree or disagree with my view of this legendary and much loved book.

An article here about the issues authors have with publishers over what the book cover should be like.

Having sat on both sides of this debate – as an author and as someone who has worked with author’s on brining their books to publication, I feel the author should have their say and the publisher should listen – but the final say should go with the publisher as they have the experience of doing more book covers than the authors have (and te cover is one of the top items of advertising for any book, and needs to work on a physical object and as an Amazon thumbnail) – and crucially are not as close to the book as the author’s inevitably will be.

The same is also true of the editing process, but that may need to be another blog post!

Quite some time ago I suggested in a post that in the future  books will be sold in hardback a bit like rarities (a bit like how vinyl is produced and sold now in the era of iTunes) based on the theory that you can buy cheap text as a digital file (altho this has still not quite happened – yet) and if you really, really like the book you can buy it as a luxury item to have on show in your house (altho this will most likely be a wider trend than those few who still buy vinyl – and it is entirely possible this will herald a return to a bygone era when only rich people had books as they were expensive – altho in the future the less affluent will still have access to them, just via digital mediums rather than bulky paperbacks).

Out Christmas shopping in Exeter (UK) recently I saw this in Waterstones (the large store, not the small one – for those of you who know the city):



The text on the display, which you can partially see reads: “Classic books beautifully bound” – hardback books – objects of beauty and curiosity.

Expect to see more of this for all books as the digital revolution continues.

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